EL 132 | American Immigrant Literature

(Spring 2020)

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From the journal writing of the earliest European explorers to the present, the immigrant experience has been a part of American literature. Our exploration of American immigrant writing will take us from the story of Alavar Nuñez Cabeza de Vaca—marooned in (believe it or not) Texas—to stories of immigrants in early-twentieth-century New York City to more contemporary writers and stories. We will look at the ways characters in stories, poems, and plays navigate the often difficult terrain between the faith, family, and community traditions with which they (or their parents) arrive and the new cultural possibilities they discover as they make new lives, imagine new possibilities, and join (or reject) new communities in the US.

This is also a class about reading well. We will read a wide variety of literary works (including prose, poetry, and drama), consider how and why they were written as they were written, and work to become sharper, more appreciative readers of all the writing (informal and formal, creative and not-so-creative) that we encounter. In our class sessions, we’ll discuss—together—what we’re reading and what sorts of strategies can be used to understand and appreciate it. We’ll also consider, as we go, the practical importance of reading well. In your writing for this course, you’ll be putting what you learn into practice by producing short, focused, analytical readings of prose, poetry, and drama. The course may be used to fulfill either the Humanities or the American Diversity general education requirement.

Assignments/Scores to Anticipate

You Should Always Have the Readings in Front of You in Class



---- The Schedule ----

*** To Be Clear: All assignments and readings are due on the day when they're listed on the schedule, not at the following class period. ***

Week 1 (Jan 31)

Notice that "due" items (besides the reading) for the week are listed under each week heading.

- And that the "due" items are listed in BLUE.

  • Day 1: No Class Yet
  • Day 2: No Class Yet
  • Day 3: Course Introduction

Week 2 (Feb. 3, 5, and 7)

Remember that you need to either PRINT texts for class or have some way (Kindle? iPad? Laptop?) to view your electronic copy in class.  Showing up for a discussion without a copy of the text under discussion is super lame.

  • Day 1: Gardner, Chapters 1 and 2 + Watch “Jennifer 8. Lee Hunts for General Tso” + Thoroughly Read the "Personal Ethnography" Assignment Sheet
  • Day 2: Selections from The Relation (Cabeza de Vaca) (Text available in our Blackboard "Readings" section.)
  • Day 3: Gardner, Chapter 5 (but skip the two stories in Gardner) +
    “No Name Woman” (Maxine Hong Kingston) (Available at Bb.)

Week 3 (Feb. 10, 12, and 14)

- Due Friday at 5:00 pm: Personal Ethnography and the "Also This..." sheet.

Hey read the poems two or three or four or ten times! They're not long, and they're made to be considered and heard aloud and read more than once, not to be quickly gulped down before class.

  • Day 3: Tools for Describing Power and Context (No new reading, but bring your copies of Cabeza de Vaca and Kingston. Laptops allowed/encouraged for this day, which will include some in class writing.) Use this reading-free day to make serious progress on your personal ethnography!
  • Day 2: Gardner, Chapter 6 + "The Magnificent Seven" (The Clash, YouTube) + "The Magnificent Seven" (The Lyrics, More or Less) + "Oread" (H.D.) + "Ducks" (Naomi Shihab Nye) + "My Father and the Figtree" (Naomi Shihab Nye)
  • Day 3: Poetry, Cont. One Additional Poem: "Refugee Ship" (Lorna Dee Cervantes, available via Bb) + Personal Ethnography, Due at 5:00

Week 4 (Feb. 17 and 19)

- Due NEXT MONDAY at Class Time: Assigned Prep Work for Your Poem Analysis

  • Day 1: One Additional Poem: "Persimmons" (Li-Young Lee)
  • Day 2: Poetry, Cont.
    In class: Creating Writing Groups. Be sure you've chosen the poem you plan to work on for Essay 1.

    Day 3: NO CLASS: Faculty Development Day

Week 5 (Feb. 24, 26, and 28)

- Due Monday at Class Time: Prep Work for Poetry Essay

  • Day 1: Poetry, Cont. + Complete Assigned Prep Work for the Poetry Essay. (Please, double-check the list of eligible poems on the assignment sheet!)
  • Day 2: Poetry, Cont. Be writing!
  • Day 2 Bonus Link
    (Not Required)

    Chinese Exclusion Act (archived at PBS/The West)
  • Day 3: "Why They Came" from A Nation of Immigrants (John F. Kennedy, via Bb) + Selections from American Passage (Vincent J. Cannato, via Bb). (Note that I won't be testing you on all the many, many specific dates in Cannato, so don't stress out about that, though you should have a good general sense of the years/time period when all this happened.)

Week 6 (Mar. 2, 4, and 6)

- Due MONDAY at 5:00: Essay 1 (Poetry)

- Notice that the Midterm/Exam 1 is NEXT  Friday.

  • Day 1: "Leaves from the Mental Portfolio of an Eurasian" and
    "In the Land of the Free" (Edith Maude Eaton/Sui Sin Far) +
    “An English-Chinese Phrase Book” (Wong Sam and Assistants) (via Bb) + Essay 1, Due at 5:00
  • Day 2: Yekl (Abraham Cahan), Chapters 1-5.
  • Day 3: Yekl, to the end (of Yekl, chapters 6-10).

Week 7 (Mar. 9,  11, and 13)

- FRIDAY: Midterm/Exam 1

Week 8 (Mar. 16, 18, and 20)

Sign up for an In Time of War Screening (60 min.) before class on Weds. (TA will coordinate.)

  • Day 1: No-No Boy (John Okada), Chapters 1-3
  • Day 2: No-No Boy, Chapters 4-7
  • Day 3: No-No Boy, Chapters 8-11
  • Spring Break: 21st to the 29th

Week 9 (Mar. 30; Apr. 1 and 3)

- Notice that there's prewriting assigned for Friday.

  • Day 1: “Seventeen Syllables” (Hisaye Yamamoto) (Available Via Blackbaord)
  • Day 2: “In the American Society” (Gish Jen) (Available Via Blackboard)
  • This Wednesday/Tonight, 6:00 pm, in the Chapel, Prof. Laurie Lamon will reading her poetry in the chapel. Click the link and learn a little about her. You're required to go and write a long-ish paragraph reflecting on your experience of the reading. You may write about just about anything here, so long as it demonstrates (for full credit) your fully engaged attention to the reading. If you'd like a more specific prompt, use this: "How is the experience of hearing literary work 'live' different from the experience of reading it on the page? What new dimensions are revealed?" You'll turn in this paragraph by Monday, for credit.
  • Day  3: Prewriting. Complete assigned prewriting before class, and bring along your copy of the work you have chosen to write about for Essay 2. Laptops welcome/encouraged.

Week 10 (Apr. 6 and 8)

Due Monday: Paragraph About Laurie Lamon Reading (See Assignment Above)

Due Friday at 5:00 pm: Essay 2

  • Day 1: "The Politics of Recognition" (Excerpt) (Charles Taylor) (@Bb)
  • Day 2: "Searching for Gold Mountain" (Ronald Takaki) (@Bb)
  • Day 3: No Class + Essay 2 is Due by 5:00.

Week 11 (Apr. 15 and 17)

- Due Friday at 5:00 pm: Any (100% Optional) Revisions of Essay 1

  • Day 1: No Class
  • Day 2: Gardner, Chapter 6 + David Henry Hwang: “Trying to Find Chinatown” (read the short play of that title inside the collection that also has that title!). Notice that Essay 2 is due by Friday at 5:00.
  • Day 3: FOB (David Henry Hwang), Act 1 + Optional Revisions of Essay 1, Due at 5:00

Week 12 (Apr. 20, 22, and 24)

  • Day 3: FOB, Act 2
  • Day 1: Zoot Suit (Luis Valdez), Act 1 + (In Class) Clips from Zoot Suit film
  • Day 2: Zoot Suit, Act 2 + (In Class) Clips from Zoot Suit film.

Week 13 (Apr. 27 and 29; May 1)

We've got a Guided Writing day FRIDAY.

  • Zoot Suit Bonus Links
    (Not Required)


    A Version with Translations (in the Footnotes): Here.  (PDF)

    Fairly Sanitized Translations from a Site for the Play: Here.

    "List of Caló Words and Expressions"
  • Day 1: I Don't Have to Show You No Stinking Badges (Luis Valdez), Act 1
  • Day 2: I Don't Have to Show You No Stinking Badges, Act 2 + Discussion of writing in progress.
  • Day 3: Guided Writing. Bring your copy of the play you have chosen to write about for Essay 3; have in mind one small section/scene from the play on which you'd like to write. Laptops welcome/encouraged.

Week 14 (May 4, 6, and 8)

- Monday or Tuesday NIGHT (TBA): Far and Away Screening

- Wednesday (Day 2): Essay 3 Due by 5:00 PM

  • Day 1: "Emigrants from Erin" (Ronald Takaki) + Monday or Tuesday Night: Far and Away Screening
  • **MONDAY or TUESDAY* evening: Far and Away Screening
  • Day 2: Far and Away Discussion + Essay 3 Due by 5:00 pm + Turn in Guided Writing Portfolio 2
  • Day 3: View/Discuss Charlie Chaplin's The Immigrant (We'll watch it in class! No homework!) (BTW: Linked version = lower quality, worse music than in-class version.)

Week 15 (May 11 + Exam)

  • Day 1: TBA/Catch Up/Review
  • Wednesday, May 13, 1:00 - 3:00 PM: Exam 2/Final



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