Christopher Guild has a strong background playing Scottish classical music. And that experience informs his playing here…Guild ensures they’re played with the proper phrasing and rhythmic bounce. Charming, witty, and thought-provoking.

…remarkable sequence of compositions by Michael Finnissy…the programme as a whole is dominated by the arrestingly opulent voice of Lotte Betts-Dean…the persuasive assurance of these performers and their technical assistants is consistently of the highest calibre.

As a totality, Honma’s Beethoven cycle… is a strong, meaningful and pianistically always impressive presentation of music…it certainly reflects thoughtfulness and a strong commitment to the music, in addition to very considerable technical skill.

…ear-catching…The music coruscates and sparkles…The recording is splendid, and the performances are clearly formidable…a dazzling, often moving portrayal

The Cheltenham College organ sounds on fine form in this clever compilation of both transcriptions and original organ works.

…this is about the scariest collection of tracks we have ever listened to…an impressive display of the power and flexibility of a church organ

This is a splendid piece of musical archaeology…David Johnson’s work is creative, interesting and satisfying. Christopher Guild has made another major contribution to Scottish classical music.

This has really grown on me…their playing is excellent.

One can surmise that Honma put a great deal of thought, research and practice time into this project, and her most stimulating interpretations provide food for thought.