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            [post_content] => [caption id="attachment_219048" align="alignnone" width="536"]<img class="wp-image-219048 " src="https://poetrysociety.org.uk/wp-content/uploads/2023/12/24-05-09-Allott-Lecture-C.png" alt="" width="536" height="301" /> Don Mee Choi[/caption]

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<h2><strong>The Poetry Society Annual Lecture / University of Liverpool Allott Lecture</strong></h2>
The Poetry Society is delighted to announce that multi-award-winning poet Don Mee Choi will be making a rare visit to the UK to give the 2024 Poetry Society Annual Lecture.

This is the latest event in the prestigious Kenneth Allott / Poetry Society Annual Lecture series commissioned in collaboration with the Department of English, University of Liverpool. Each year, the series introduces one of the leading voices in international poetry to share a new lecture, accompanied by a short performance of their poems.

Born in Seoul, South Korea, Don Mee Choi is a highly innovative writer. Her work slips between forms, mixing poetry, lyric essay, memoir, and visual image. Incorporating archives, photographs and fragments of memory, Choi’s poetry explores historical events and the human impact of war. Her books include <em>DMZ Colony</em>, which won the 2020 National Book Award for Poetry, <em>The Morning News Is Exciting</em>, and <em>Mirror Nation, </em>which is forthcoming from Wave Books in 2024. Her translations into English of Kim Hyesoon include <em>Autobiography of Death</em> which received the 2018 International Griffin Poetry Prize.

The Poetry Society’s Annual Lecture Series has been proud to commission many of the most influential voices in international poetry. Poets who have given earlier lectures include Ilya Kaminsky, Anne Carson, Valzhyna Mort, Les Murray, Eavan Boland, C K Williams, Rita Dove, Terrance Hayes, Paul Muldoon, and Charles Simic.

<strong>This is an online version of the in-person event at the Tung Auditorium. Tickets for the in-person event are now available via the Tung Auditorium. <a href="https://thetungauditorium.com/events/allott-poetry-society-annual-lecture" target="_blank" rel="noopener">Details can be found here</a>
</strong>

For further information, please contact <a href="mailto:[email protected]">[email protected] </a>

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            [post_content] => Join <strong>Polly Atkin </strong>and <strong>Young Poets Network </strong>for a free online writing workshop, where we'll be writing in response to the soundscapes of the world around us: think birdsong, sound poetry, and more... 

As part of the <a href="https://ypn.poetrysociety.org.uk/workshop/soundscapes-and-songworlds-a-poetry-challenge-with-people-need-nature/">Soundworlds and Songscapes challenge</a> on <a href="https://ypn.poetrysociety.org.uk/">Young Poets Network</a>, poet Polly Atkin will be running a poetry workshop for 14-25 year olds, inspired by the sounds of nature. You'll ignite your imagination and find new ways of thinking about the role sound plays in poetry. After the workshop, we encourage you to keep editing your work and submit it to the challenge, which closes on 17 May. 

<b>You will receive a Zoom link 24 hours in advance of the workshop. </b>Email queries to <a href="mailto:[email protected]">[email protected]</a>. 

<strong><img class="size-medium wp-image-237131 alignleft" src="https://poetrysociety.org.uk/wp-content/uploads/2024/04/Polly-Atkin-headshot-533x800.jpg" alt="" width="533" height="800" />Polly Atkin</strong> (FRSL) is a poet and nonfiction writer based in the English Lake District. She has published three poetry pamphlets and two collections – <em>Basic Nest Architecture</em> (Seren: 2017) and <em>Much With Body</em> (Seren: 2021). Her nonfiction includes<em> Recovering Dorothy: The Hidden Life of Dorothy Wordsworth</em> (Saraband: 2021), a Barbellion-longlisted biography of Dorothy’s later life and illness, and a memoir exploring place, belonging and disability, <em>Some Of Us Just Fall: On Nature and Not Getting Better</em> (Sceptre: 2023). In 2023 she and her partner took ownership of historic Grasmere bookshop Sam Read Bookseller.

 
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'Like Her' won third prize in the 2023 National Poetry Competition, judged by Will Harris, Clare Pollard and Jane Draycott. From the judges: '‘Like Her’ is a poem whose theme is pattern and whose pattern is theme. The impossibility of writing about the natural world – the pattern of ‘wooden fractals’ on pine cones – runs up against the impossibility of writing about birth and the early development of an infant. Both suggest a Fibonacci-like order beneath the surface of things, something almost (though not quite) ‘planned’. And both are cloaked by a mystery beyond language. But as the title of this poem suggests, there is a trope which can briefly speak the unsayable, or make the impossible seem true: metaphor. In similitude, the arbitrary binaries of language (like nature/nurture) drop away. Unlike things seem like. A ‘closer look’, and the birth of a child indicates – or claims – the entire life cycle of a pine tree.'

Like Her

by Rency Jumaoas Raquid

A stretch is the beginning
of birth. Pine bracts bear  
cycles of wet and dry
 
            that make the cone bloom 
            and fall. Her wooden fractals
            teeter around an axis, a spiral
 
                        staircase of wombs now
                        pointed towards the ether. 
                        Soon she will roll down
 
that hill and sleep with fungi
that collect on her scales,
while her children learn
 
           to tickle the clouds. Scoop,
           cradle, offer her things
           the needles kept away—
 
                        a mellow sun, the autumn
                        crisp. Try to make her happy.  
                        Adore the Fibonacci, how
 
carefully this pattern
was planned. Or not planned.
A closer look and you are
 
           aware of ridges that run
           fickle on your skin,
           the explosions of your irises.
 
                       Like her you have been
                       tinkered with by time.
                       Search, find the scales empty.
 
You have missed the gifts 
she has offered. The beasts
have beaten you to it.  
 
           You claim her instead,
           beautiful after her becoming.  
           How sticky and sharp,
 
                       the resin that dries

                       on your palms. 

The Poetry Society was founded in 1909 to promote “a more general recognition and appreciation of poetry”.  Since then, it has grown into one of Britain’s most dynamic arts organisations, representing British poetry both nationally and internationally.  Today it has more than 5,000 members worldwide and publishes The Poetry Review.

With innovative education and commissioning programmes and a packed calendar of performances, readings and competitions, The Poetry Society champions poetry for all ages.

More about the Poetry Society…