Review: Wallows – Model

While creating their new album, Model, Wallows vocalist/guitarists Braeden Lemasters, Dylan Minnette and drummer/guitarist Cole Preston reunited with the Nothing Happens producer, John Congleton (St. Vincent, Sharon Van Etten), to craft what would be the songs for their third studio album. The band let the music flow right though them by allowing the songs to become the best version of themselves, while not forcing the direction. “Every song started with the three of us playing live in a room, keeping it very simple and sticking with our instincts as much as possible,” says Minnette. “We ended up leaving in a lot of the mistakes and flubs, so even though it’s the most slick we’ve ever sounded it’s also the most honest.” By sticking to their comfort zones, while still adding new elements to their sound, Wallows have made a memorable artistic statement on Model.

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Interview: AJ Perdomo of The Dangerous Summer

The Dangerous Summer

Recently I was able to schedule a Zoom call with AJ Perdomo of The Dangerous Summer to discuss the band’s new record, called Gravity. In this interview, we chatted about the direction of the new LP, how AJ envisions balancing out his band’s setlists with so much new material, as well as the art that he is inspired by. Today, The Dangerous Summer released their latest single and video for “Pacific Ocean.” Gravity will be released via Rude Records on June 21st, and pre-orders are on-going here.

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DOJ to Sue Live Nation/Ticketmaster

Legal

The New York Times:

The Justice Department and a group of states plan to sue Live Nation Entertainment, the concert giant that owns Ticketmaster, as soon as Thursday, accusing it of illegally maintaining a monopoly in the live entertainment industry, said three people familiar with the matter.

The government plans to argue in a lawsuit that Live Nation shored up its power through Ticketmaster’s exclusive ticketing contracts with concert venues, as well as the company’s dominance over concert tours and other businesses like venue management, said two of the people, who declined to be named because the lawsuit was still private. That helped the company maintain a monopoly, raising prices and fees for consumers, limiting innovation in the ticket industry and hurting competition, the people said.